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Even Ja’Tovia Has to Slow Down

Shaquille Heath, Black News
October 2023

Why Artist Ja’Tovia Gary Came Back to Dallas

Eve Hill-Agnus, D Magazine, September 2023


Ja’Tovia Gary Reimagines Toni Morrison’s The Bluest Eye

C . M. Watts, Hyperallergic, September 2023

Ja'Tovia Gary's Cosmic Return

Amarie Gipson, Oxford American September 2023

Ja’Tovia Gary Sets Her Sights on Love

Yasmina Price, T Magazine, August 2023

The Film World Doesnʼt Know What to Make of JaʼTovia Gary

Rose Courteau, Cultured, 2023

Ja’Tovia Gary’s radical Black feminist filmmaking 

Madeleine Seidel, Document Journal, 2023

The Evolving Visual Multitudes of Ja'Tovia Gary

Ruun Nuur, Mubi, May, 01 2023

Multidisciplinary Artist JaʼTovia Gary Challenges

Marsia Kalila-Barrino, Essence, 2023

The New Generation of Black Artists Boldly Redefining Conceptual Art

Ayanna Dozier, Artsy, September 2022


Natasha Marie Llorens, Art Papers, July 2022

Spotlight: Ja'Tovia Gary

The New Yorker, July 2020

Sadie Barnette, Ja’Tovia Gary, and Erin Christovale in conversation

Mousse Magazine, March 2022

"La petite Mort
On Art, Ecstasy and Death"

Nico Wheadon, The Brooklyn Rail
February 2020

"Ja'Tovia Gary Breaks Through the Art World with Her Compelling Audio-Visual Portraits"

Rianna Jade Parker, Frieze
February 2020

"Sound Garden"
Ayanna Dozier on Ja’Tovia Gary’s The Giverny Document (2019)

Ayanna Dozier, Artforum,
February 2020

"With Her Artful Documentaries and Sculptural Arrays, Ja’Tovia Gary Places Black Women at the Center"

Alex Greenberger, ArtNews,
February, 2020

"Garden Against the Machine: Ja'Tovia Gary's The Giverny Document"

Michael Sicinski, Cinema Scope
February, 2020

"'Becoming a Director Was About Getting Power' Ja'Tovia Gary on How She Took Control of the Director's Chair"

Taylor Dafoe, Artnet
February 2020

"Future Greats: Ja'Tovia Gary"

Mark Rappolt, ArtReview, January/February 2019